Showing posts with label Vintage Love. Show all posts
Showing posts with label Vintage Love. Show all posts

Sunday, 22 July 2012

Vintage Love : Pretty Things - Midnight to six ( Live video)



"The Pretty Things are an English rock and roll band from London, who originally formed in 1963. They took their name from Bo Diddley's 1955 song "Pretty Thing". Their most commercially successful period was the mid 1960s, although they continue to perform to this day. David Bowie covered two of their songs on his album Pin Ups."

Sunday, 29 April 2012

Saturday, 11 February 2012

Vintage Love : Chuck Berry - You Can't Catch Me (Rock Rock Rock 1956)



Chuck Berry (Charles Edward Anderson Berry - born Oct. 18, 1926, St. Louis, Mo., U.S.) singer, songwriter, and guitarist who was one of the most popular and influential performers in rhythm-and-blues and rock-and-roll music in the 1950s, '60s, and '70s. Full biography here

Watch | Chuck Berry - You Can't Catch Me (Rock Rock Rock 1956)

Wednesday, 11 January 2012

Vintage Love - Round Robin - I'm the wolfman 1965



Swinging rockabilly horror stunner from Round Robin with a lot fuzz and sexy back from the grave growls from 1965.

Watch | Round Robin - I'm the wolfman

Thursday, 17 November 2011

Vintage Love - The Fall 1994 Unreleased Documentary



" The Fall is one of the greatest and strangest rock groups to emerge from the British post-punk scene of the late 1970s. Occupying cult status on the fringes of mainstream success, the Fall has gone through many permutations during its long and turbulent career, but the one constant is its iconic front-man, the renegade genius Mark E. Smith. "

Watch | The Fall 1994 Unreleased Documentary

Wednesday, 20 July 2011

Vintage Love - Fontela Bass



"The 1965 classic "Rescue Me" is widely regarded as the greatest record Aretha Franklin never made. The song in question was instead cut by singer Fontella Bass, who like Franklin channeled the power and passion of her gospel roots to create some of the finest music of soul's golden age. Born in St. Louis on July 3, 1940, Bass was the daughter of gospel vocalist Martha Bass, a longtime member of the renowned Clara Ward Singers. Her grandmother Navada Carter was also a professional gospel performer, and it was inevitable that Fontella follow suit, making her church choir debut at age five. Nevertheless, during the mid-'50s she rebelled against tradition, sneaking out of the house to sing secular R&B at local fairs and nightclubs. By 16, Bass was the house pianist at the St. Louis nightspot the Showbar, and in 1961 she joined local blues great Little Milton Campbell, later marrying the band's trumpeter, fledgling jazz titan Lester Bowie. Bass first earned notice for her vocal on Little Milton's 1962 hit "So Mean to Me," soon followed by her Bobbin label solo debut, "I Don't Hurt Anymore." But when Campbell and his pianist Oliver Sain parted ways, Bass exited along with Sain, who named her lead vocalist of his Oliver Sain Soul Revue. Her second single, the Ike Turner-produced "I Love the Man," followed on Turner's Prann label in 1963. Bass then cut "Poor Little Fool," a duet with Tina Turner issued on the Vesuvius imprint. And when she wasn't performing with Sain and his group, she moonlighted as a solo act, playing gigs across East St. Louis under the alias "Sabrina." All Music

Watch | Fontella Bass - Rescue Me (1965)

Sunday, 17 July 2011

Vintage Love - Wanda Jackson



"Born Oct 20, 1937 in Maud, OK. Wanda Jackson was only halfway through high school when, in 1954, country singer Hank Thompson heard her on an Oklahoma City radio show and asked her to record with his band, the Brazos Valley Boys. By the end of the decade, Jackson had become one of America's first major female country and rockabilly singers. Jackson was born in Oklahoma, but her father Tom - himself a country singer who quit because of the Depression - moved the family to California in 1941. He bought Wanda her first guitar two years later, gave her lessons, and encouraged her to play piano as well. In addition, he took her to see such acts as Tex Williams, Spade Cooley, and Bob Wills, which left a lasting impression on her young mind. Tom moved the family back to Oklahoma City when his daughter was 12 years old. In 1952, she got won a local talent contest and was given a 15-minute daily show on KLPR. The program, soon upped to 30 minutes, lasted throughout Jackson's high school years. It's here that Thompson heard her sing. Jackson recorded several songs with the Brazos Valley Boys, including "You Can't Have My Love," a duet with Thompson's bandleader, Billy Gray. The song, on the Decca label, became a national hit, and Jackson's career was off and running. She had wanted to sign with Capitol, Thompson's label, but was turned down so she signed with Decca instead.

Jackson insisted on finishing high school before hitting the road. When she did, her father came with her. Her mother made and helped design Wanda's stage outfits. "I was the first one to put some glamor in the country music - fringe dresses, high heels, long earrings," Jackson says of these outfits. When Jackson first toured in 1955 and 1956, she was placed on a bill with none other than Elvis Presley. The two hit it off almost immediately. Jackson says it was Presley, along with her father, who encouraged her to sing rockabilly." Rockabilly Hall of Fame


Watch | Wanda Jackson - Hard Headed Woman

Wednesday, 6 July 2011

Vintage Love - The 13th Floor Elevators



" The 13th Floor Elevators were one of the pioneering bands of psychedelic music; many have cited them as the first true psychedelic rock band, and if they weren't, they certainly predated most of the San Francisco bands that gave the sound a global audience. The Elevators played a bracing fusion of garage rock and genre-defying musical exploration powered by Roky Erickson's feral vocals and rhythm guitar, Stacy Sutherland's concise but agile lead guitar work, and Tommy Hall's amplified jug playing, the latter of which gave them a sound unlike any other in rock. The Elevators were also exploring the outer limits of both consciousness and rock & roll in Texas in the early to mid-'60s, a time and place that wasn't quite ready for them, leading to the myriad problems that at once fueled their legend and cut down the band before their time." More on All Music

Watch | 13th Floor Elevators - You're Gonna Miss Me

Wednesday, 29 June 2011

Vintage Love - The Sonics



"Of all the garage bands that made a glorious racket in the 1960s, few if any were louder, wilder, or more raw than the Sonics, a Tacoma, WA quintet whose over-the-top style, complete with roaring guitars, pounding drums, and the fevered howls of lead singer Gerry Roslie, anticipated the mania of punk and pushed rock & roll deep into the red zone during their 1963-1966 heyday. The Sonics were stars in Washington, but it took a while for the rest of the world to catch on, and in time they would become one of the most fabled bands on the Pacific Northwest rock scene." Vh1

Mp3 | The Sonics - Money
Watch | The Sonics - Psycho a Go-Go