Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

Sunday, 27 November 2011

mY Indie Soul # 46



mY Indie Soul # 46 : 2006-2010 ... A collection of cutting-edge experimental electronic music based on Field Recordings, Drones, Glitch, IDM and is the visualization of a Modern Dance company dancing over Jackson Pollock masterpieces.

mY Indie Soul # 46 is the fragmented concrete reality that hides the micro secret abstract language of the senses, is the evolution into sub-logic and subsequent pure-logic behavior, is a visionary answer to the puzzle between everything and nothing where perfect imperfections rule under logic, reason and common sense decapitated.

mY Indie Soul # 46 by Audiopleasures

Hannu - Universumin Tomu
Offthesky - Birds Eye View
Vladislav Delay - I saw a Polysexual
Morgan Packard - I Think I
Goblin Glasses - SFO
Tipper - whomi
Christian Fennesz & Rryuichi Sakamoto - Mono
David Sylvian feat. Christian Fennesz - Transit
George Michael - Freedom (Robert Lippok Feat. Caroline Thorpe remix)
Atom - Wellen und Felder ii
Aidan Baker & Tim Hecker - hymn to the idea of night
Nils Frahm and Anne Muller - Show me your teeth
The Flashbulb - Once Weekly
Apparat - Steinholz (Monolake Remix)

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Friday, 20 March 2009

mY Indie Soul # 28 , Lee Rosevere Peres Interview

We are very happy and pleased to receive our first guest in 2009 , A interview and mY Indie Soul with Lee Rosevere.

I've came acquaintance with the beautiful drones of Lee i think last year with the release of " Light Years " on the Net label Text Tube.

Is still today one my favorite drone releases , Deathless is smashing , gives you the idea of time travel , like ur floating inside a bubble that is driven by a minimal and repetitive impulse .

Im always curiose to know more about musicians/artists and their worlds , what's their motivations and favorite records , so with the help of Miguel Peres , Audiopleasures first collaborator with invited Lee to spend a few hours answering Miguel Peres questions and making is Indie Soul.



Lee’s music is usually pretty weird. A lot of his work is based in sample-based and avant-garde experiments. He’s also composed instrumental themes for websites and radio programs, and had music featured in podcasts and short films.

He works professionally in radio, and has won a New York Award in sound design. Lee has released a series of Creative Commons albums (free downloads) on his own label Happy Puppy Records, and contributed tracks to Comfort Stand, WM Recordings and Oddio Overplay.

1. Where do you get the inspiration, where do you search new sounds for your music?

I’m usually inspired to create as a means of distraction. I find that the world in general today is becoming more and more crazy and hard to live with, so getting lost in a musical idea or project helps keep my mind busy and off the negative side of humanity.
I look for sounds everywhere. Almost no sound is off limits, especially when it can be electronically manipulated (as I work) to turn it into something unrecognizable from it’s original source.
Similar to John Cage’s philosophy that anything can be music, I like to use sound in a musical context. Tones and notes can be derived from traditional non-musical instruments and it creates endless possibilities.

2. You have written several albums for free download. How was the whole process and why the decision to release them freely?

I’ve been recording music for about 20 years now, always done as a form of entertainment for myself. After a while, I realized that it was beginning to pile on my shelf, and it would be shame if no-one else heard it except me. It was never important for me to make money at music, that’s not why I do it, but I also knew that I would never sell any music because nobody knew who I was or what I did. So the obvious solution was to make it available to anyone who wanted to hear it, which I’ve done for the last 3 years.

3. How do you define yourself?

Well, I suppose generous, imaginative and a bit weird.

4. Have you ever consider explore other art forms beside music?
Seriously considering, no. I enjoy painting, but I don’t have the materials or the finances to explore that (it’s more expensive than music is) and I’m not very good with a camera but at least digital photography allows all sorts of experimentation without costs like film processing (which wouldn’t be worth it).

5. How are you dealing with all of this fame, working in so many projects?

I don’t believe that fame and I have anything in common. I work on lots of projects because I have a scattered attention, but I also work quickly whenever I get really involved in something. I try to finish everything I start, unless I lose inspiration and then it probably wouldn’t have turned out good anyway.

6. What are your future projects?

None at the moment – I usually just go day to day and do things as I think of them.

7. What your principal influences are, so much at musical like cultural level?

I really respect innovators and original thinkers in music as well as everyday life. I also respect people who try to make the world a better place in whatever way they can. People like Walt Disney, and Frank Capra are two, but sadly I don’t think we’ll see anyone else like them again.
There is so much despair in every day life, people need a message that makes them feel good and happy. If I’m depressed, the last thing I want is to see and hear something that just reminds me how rotten, sick and corrupted the world is. I already know that – I’d rather be shown how good humans can be to each other. People are influenced by what they see, negative and positive.

8. Each track of your album gives an idea for a movie. In which short-films do you participated?

Thanks! I like to mix manipulated music as well as sound effects, which is probably what gives it that feel.
The short films I’ve been involved in were not with my direct participation; they were produced by people I’ve never met who liked something in my music and wanted to use part of it. One was a comedy short and the other was a documentary on a glass-blower.

9. Which part of Lee Rosevere’s soul is in his music?

All of it, I guess. I think that a persons’ soul is evident in everything they do, consciously or not.

10. Which is your foresight for the development of Ambient / Electronic / Experimental music worldwide?

I think it’s developed lot already – since computer software has become more available and cheaper, there’s been a whole new generation of “laptop composers” who re-define the genre into their own style which is great, but whenever something becomes more available, it has the danger of over-saturating itself and becoming pointless.
I don’t really listen to a lot of what other ambient/electronic artists are doing, except the masters that invented the genre like Cage, Reich, Eno, Riley, etc. I also listen to more conventional music, which isn’t very evident in my own music


Lee Rosevere
mY Indie Soul # 28
Download | Listen

1. Joe Jackson - No Pasaran

Being a Joe fan for a long time, I've loved his classical works as much as his pop music, mostly because I discovered all of his catalog at a time where I didn't have any pre-conceived notions about what he *should* be doing.

2. Manfred Mann's Earth Band - Starbird

This was one of the first instances of weird time-signatures I heard when I was 5 years old and I thought the record was skipping. When I realized it was supposed to be like that, it blew me away that music could sound like that, and then tried to play like it.

3. Brian Eno & Harold Budd - Late October

Not only is Brian Eno a wonderful musician, his ideas about culture are smart and insightful. This gorgeous pairing of Brian with minimalist Harold Budd is beyond description, but it's no surprise that it spawned its own genre of music.

4. Bruce Haack - OK Robot

Canadian Bruce Haack was a childrens entertainer foremost (even appearing on Mr. Rogers Neighbourhood), but also an inventor of his own musical instruments and recording techniques. Unfortunately, he never really caught on and died in the 80s, bitter and broke without the respect he deserved.

5. Michael Snow - Forces Of Change (excerpt)

Another Canadian, Michael Snow has been playing jazz since the 40s. But he's also infamous for his avant-garde films, sculptures and paintings, and never doing any of it conventionally. Music that challenges any form of conventionality has always been a real interest of mine.

6. FM - Sofa Back Rush

was a big influence and love of mine when I was growing up, but so was FM, a band that were good friends with the guys in Rush and just as talented. FM were a premiere prog-rock band in the late 70s, but went for a more commercial sound in the 80s. Also plagued constantly by record company troubles, their catalog is sadly out of print, but the band are working on getting it out again.

7. David Bowie - Art Decade

It's no mistake that my favorite Bowie album is Low, produced by Brian Eno. This was my first introduction to the Eno sound.

8. Steve Reich - Music For 18 Musicians (excerpt)

I really got into making more serious music when I first heard Steve Reich. The rhythms in his music are so complex and are easily dismissed as boring or simple. Plus, his phase experiments were also very influential on me.

9. Charles Ives - The Unanswered Question

I'm still learning about Ives, but I find his music fascinating and the rules he constantly breaks, while inventing new ones. Some of the most interesting classical music ever made.

10. John Cage - Williams Mix

Any one that can make a career like Cage has my respect and constant curiosity for sheer originality and audacity. I always enjoy his art, even if I don't understand it. But I did learn that not only can you use radios, bricks and cartridges to make serious music, but it's fun too.

11. Frank Zappa - The Black Page

The musicians that played Zappa's music were awesome, in ever sense of the word. Writing music that treats the traditional rock band lineup the same as a classical orchestra without the pomposity that usually goes with that, "The Black Page" is just one of the many examples of how you can write pretty, but complicated compositions.

12. Pat Metheny - Tell Her You Saw Me

I've known of Metheny's music for years, but only now am I sitting down and really immersing myself in his catalog. There's so much to listen to; a truly gifted guitarist and songwriter with a talent for melodies that send shivers down my spine. I first loved this song when I heard it with vocals on his album with Anna Marie-Jopek, but hearing the original orchestrated version is another revelation.

13. Aaron Copland - Story Of Grovers

Corner Copland is one of the most American sounding composers (in a good way) - and this composition from Our Town, evokes such feelings of melancholy and sadness, but is heart-breakingly beautiful at the same time. ***

Lee Rosevere Last Fm
Happy Puppy Records
Light Years - Tube 112

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Friday, 20 June 2008

Proud Parent ( Bonsai )



Mama bonsai , has given birth to healthy baby bonsai.

They really like it here , i even have special playlists for them , always leave music for them , they love ambient/drone music is very relaxing , its like you surfing on the rings of Jupiter.

Lee Rosevere " Light Years " Tube 112 - 2008
Mp3 | Lee Rosevere - Deathless

Tuesday, 29 April 2008

Fuck Buttons , David Byrne Brian Eno - Moonlightin Glory , Teenagers From Uranus



The key to how Fuck Buttons pull this off lies in their creative origins: Brits Andrew Hung and Benjamin John Power formed the group in 2004 with the goal of creating pain-inducing noise music, but soon became curious about mixing in prettier sounds, and adding structure and melody to their brutal tracks. Still, they never lost the aggression and abstraction of their noise leanings: They're not afraid to let a beat pound forever, or let a drone wash slowly, or let a pedal loop endlessly. Where more traditional groups might worry that a part goes on too long, Fuck Buttons seem fascinated by what will happen if it does, riding it just past the point of expectation before hitting you with the next big switch-up. It's a trick that gives Street Horrrsing a sense of constant tension, with another surprise detonation always looming around the corner.

The album begins with "Sweet Love For Planet Earth", whose sparkly synths and pulsing drone bring to mind Gang Gang Dance's starry-eyed explorations. The patient power of that track courses through the rest of this seamless record. It's in the drum circles and chants of "Ribs Out", the chopping drift of "Okay, Let's Talk About Magic", and the blown-out metal vocals of "Race You To My Bedroom/Spirit Rise", which seem to make time melt away. Throughout, Fuck Buttons stick religiously to simple ideas, but mix them in surprising ways. When you expect a scream to burst forward, a synth figure slides in, or a bass rumbles up from the background. Still, the duo's signature is devout repetition. And by the time the loops of album closer "Colours Move" finally dissolve, Street Horrrsing has become one big loop itself-- an unbroken sonic circle. Pitchforkmedia - Marc Masters, March 17, 2008



" Street Horrrsing " - ATP Recordings - 2008

Mp3 | Fuck Buttons - Sweet Love For Planet Earth
Mp3 | Fuck Buttons - Race You To My Bedroom



Video | Fuck Buttons - Bright Tomorrow
Video | Fuck Buttons - "Okay, let's..."@ Windmill, Brixton 02.06.07




Designed by Trollback + Company. A visual experiment where the graphics become the creator of the sounds rather than the reactive afterthought. The piece is set to "Moonlight in Glory," by David Byrne and Brian Eno

Watch | David Byrne and Brian Eno - Moonlight in Glory




Far, far away on the Planet Uranus, an evil Lord reigns. All hell breaks loose when he sends two Teenagers from Uranus to take control of the media airwaves in attempt to destroy the world. Written and created by Will Carsola and Dave Stewart, a twisted sketch comedy movie guaranteed to blow your head off. With the gore version of Municipal Wastes "Unleash the Bastards" video. Graffiti with Serf, Mint, Resk, Dr.sex, Mad, Rate, Goal, Host, Tenz, Lions, and more. Featuring the new hair bling, singing hobos, dmv drivers license pranks, rapping Jesus, Dr.Phil as a serial killer and other relentless parodies.

"This movie takes all that sucks on television and farts in its mouth"
-famous person.

Watch | Teenagers From Uranus

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livedaybyday

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Sunday, 27 April 2008

mY Indie Soul # 23

mY Indie Soul # 23

Electronic | Experimental | IDM | Alternative | Punk | Electro

Artwork by Ray Caesar



Download | Listen

Raz Ohara and the Odd Orchestra - Where he at [ Apparat remix ]
" Apparat - Things To Be Frickled " - 2008

Raz Ohara is a native of Denmark who’s been resident in Berlin for some time. His first two solo albums for the Kitty-Yo label, Realtime Voyeur and The Last Legend saw Raz’s alter ego grow from quirky, original new-kid-on-the-block to confident, accomplished artist, consolidating the wit and intelligence which have made him an underground sensation. Flitting effortlessly between house, hip-hop, ambient electronics, reggae, downtempo, indie and Prince-esque soul inflections, Raz earned comparisons to US renaissance man Beck. Remixed by the likes of Richard Davis, Matthias Schaffhauser, Smash TV, Pier Bucci and Geiger, Raz Ohara was rightly earmarked for great things.
Raz Ohara and The Odd Orchestra is without doubt the most unusual album Get Physical has yet released, and it may prove to be one of their best. An album of real artistic integrity, this is avant-garde pop music at its most deep, timeless and affecting.



Kammerflimmer Kollektief - Seen
" Maander " - 2001

Kammerflimmer Kollektief began as the one-man experimental excursions of Thomas Weber. Trapping ambient noise, live and synthetic drums, guitars, strings, upright bass and keyboards into interlocking rhythmic explosions, Weber expanded the group to a live six piece in 1999 and has been brilliant and busy ever since. From their Karlsruhe, Germany home base, this ensemble effortlessly blends experimental electronic elements and moody free-form jazz to stunning effect.



Plat - Paling (Muse)
" Compulsion " - 2005

Plat is another in an ongoing stream of groups hailing from Iceland, but the group's sound is radically unlike that of its better-known compatriots Múm and Sigur Rós. To some degree that's attributable to Arnar Helgi Adalsteinsson and Vilhjalmur Pálsson's unusual creative approach as the duo records virtually everything they play and later sculpts the material into final form. Their hallucinogenic acoustic-electronic mix sounds both organically fluid yet deliberately considered—cool, experimental music perhaps, but one that never loses its soul.



Zoe Keating - We Insist
" One Cello x 16: Natoma " - 2005

Armed with just her cello and a small box of electronics, Zoë Keating has performed outdoors in the Nevada desert, in medieval churches, in punk clubs, and before thousands of screaming teenagers in mainstream rock venues across North America and Europe.

Classically trained from the age of eight, Zoë developed her signature style improvising for late night crowds in her San Francisco warehouse space. Her album "One Cello x 16: Natoma", which rose to #2 on the iTunes Classical and Electronica charts, is the direct result of that experimentation. Inhabiting its own territory somewhere between classical and electronica, Keating's works for layered cello have been called luminous, haunting and complex.



Apparat - Steinholz [ Monolake Remix ]
" Things To Be Frickled " - 2008

Apparat is the bridge over the German gap of melancholic glitch between Manchester and Laptop-USA. His smart wiring of emotions produces a virtual musical reality, which is based upon different genres, depending on the surrounding of the “apparat”. In his studio, dense, dark and majestic clouds of elegiac pop and heavy Electronica built up to a coherent and emotionally charged atmosphere. Live, on the other hand, the dance floor seems to be repelled to rave from the Bermuda Triangle with its axes Techno, IDM and Elektro. Those styles cannot necessarily be distinguished and heard on every of his releases, but since he started out with a much harder pace of electronic music in the early nineties, his influences are definitely Techno and Elektro as well.



Sebastian Tellier - Divine [ Midnight Juggernauts Remix ]
" Divine EP " - 2008

‘Divine’ is a supremely uplifting slice of electro funk with beach boy-esque harmonies and the single package comes complete with added doo-wop, and significant re-arrangement, in its new Radio version form and also with killer remixes from Australia’s Midnight Juggernauts and France’s latest exciting electronic producer/artist Danger.

Sebastien, France’s inspired choice as their 2008 Eurovision representative, will also perform Divine at this year’s Song Contest to be held in Belgrade on 24th May. !!!! This will be the first time in the history of the contest that the French entry will be sung entirely in English.

Now, even more than ever, Sebastien is the one true artist who clearly connects the vanguard of France's modern generations of musical magicians, from Gainsbourg to Air, through Mr.Oizo and the new electronic Ed Banger exporters. The gel which joins are the genial pioneers, Daft Punk, one half of which, Guy Manuel De Homem-Christo, has produced this and the seminal new album.



Tortoise & Bonnie 'Prince' Billy - Love Is Love
" The Brave And The Bold " - 2006

The Brave And The Bold chronicles an iceboat journey of co-captains Will Oldham and Tortoise into the charted but frozen waters of pop and rock’s thinning edges. As they soldier through, both singer and band rest and bathe in the comfort of what they've done recently and successfully. The rabid yodel of Oldham's quasi-Appalachian hillside adjudication, so predictably central to the Palace era, never once bubbles through the molasses yawn here. The languid drawl given to so much homespun obscenity pours itself in nicely empty molds of words by Springsteen, Elton John, and Richard Thompson, among others.



These New Puritans - Infinity Ytinifni
" Beat Pyramid " - 2008

In common with their influences, These New Puritans' sound is eclectic. In a recent interview with The Cuckoo Press Magazine, Jack said that "Wu Tang Clan are massively influential. "'Spitting the code', as Roots Manuva puts it, is what I do". While The Guardian said that "These New Puritans make stern threatening punk inspired by The Fall, Franz Kafka and Elizabethan magician John Dee". Artrocker Magazine has described TNPS as sounding like "Sheffield and Berlin synths, '90s alt rock Sonic Youth and Yo La Tengo drones; Underworld beats, and all in the most contemporary of contexts," while in a review of Beat Pyramid, Vice Magazine said "Sharp, strange and enchanting, there aren't many bands around like These New Puritans. Contrary to this though the NME review of their album states "Somebody once attempted to convince us that These New Puritans are original. They failed: onstage, the guy looks and twitches just like Ian Curtis, and musically, they sound pretty much exactly the same as The Fall." Barnett often states that he really doesn't think much about influences.



Duchess Says - Ccut Upp (Original Version)
" Anthologie des 3 Perchoirs " - 2008

Duchess Says was created in late 2003 in Montreal by four influent members of the Church of Budgerigars who decided to collaborate together in a common musical project. Their goal was to insure a faithful representation of the message of the Duchess (or spiritual budgie) through a precise artistic dialog. Composed of A-Claude (vox, keytar, guit, programmations), Ismaël (keyboard,guitar, programmations), Phil (guitar, bass,feedbacks) and Simon Says (lo-fi beats, drums and doubtful noises). Duchess Says is serving a repertory of “moog rock” songs strong in images and enormoustly intense live performances! Their musical influences range from no wave, new wave, punk, to cinema and visual arts. If you pay attention, you could see them perform in the most unusual places such as golf courses, shop windows, vacant buildings, etc. Duchess Says has the mandate to decontextualise the rock and to promote simultaneously their Church on the way.



Does it Offend you Yeah - With a Heavy Heart i Regret to Inform You
" You Have No Idea What You're Getting Yourself Into " - 2008

Does It Offend You, Yeah? are often compared to dance-oriented acts like Daft Punk, Justice and Digitalism.[attribution needed] However, NME has also compared them to bands like Muse and !!! due to their heavier, more 'live' sound. The group are known for their raucous live shows, which often end in stage diving and broken instruments

The band revealed the origins of their name as being from British sitcom The Office. In an interview with NME.com, synth player Dan Coop explained: "Everybody thinks the name is some kind of statement but it's a quote from David Brent in an episode of 'The Office'. "When me and James Rushent first started writing music together we decided to put it up on MySpace. We needed a name to put as our profile name so just put what was the first thing that was said on TV, we switched it on and Ricky Gervais said 'Does it offend you, yeah? My drinking?' so we just went with that. No thought went into it whatsoever."



Digitalism - Yes, I Don't Want This
" Moshi Moshi EP " - 2008

DIGITALISM is dirty electro pogo shit hammered by the two studio junkies Jens "Jence" Moelle and Ismail "Isi" Tuefekci and comes directly from the underground electro-indie scene.
It all began a while ago when Jens was working in Hamburg's "Underground Solution" record store , same store where Kid Alex began his career as a record seller - when Isi stepped in the store and had a first chat with Jens. Shortly after they went in Jens Studio and DIGITALISM was born. Jens did have keyboard practice for around four years and vocal practice for a year. He is writing the lyrics and sings them in his post-punkish way while the music is written and produced by the two knock-out musicians together.



Holy Fuck - The Pulse
" LP " - 2007

Holy Fuck is a lo-fi improvisational experimental band from Toronto/Halifax, Canada. They are a part of Dependent Music, a music label/collective that began in Yarmouth, Nova Scotia in 1994. Called “Toronto’s evil supergroup”, Holy Fuck includes, at various times, members of other notable bands King Cobb Steelie, By Divine Right, Wintersleep, Enon, and Blue Rodeo.

Holy Fuck mimics modern electronic music without using modern fail-safes like laptops and programmed backing tracks For 2005’s NXNE festival they armed themselves with a drum set, a bass guitar, a myriad of toy keyboards, guitar pedals, mixers, and even a 35 mm film synchronizer and hit the stage, without even rehearsing.



The Bloody Beetroots - Mac Mac
" I Love the The Bloody Beetroots " - 2008

The Bloody Beetroots are an electro/club collective currently ripping up Italy with their own heavy beats, and continuously throwing out remix after remix as they make themselves known to the rest of Europe.

As well as featuring on Hostage’s ‘Gluttony’ EP - along with Felix Cartal - The Bloody Beetroots have remixed tracks by the likes of Fox n’Wolf, Etienne De Crecy, The Toxic Avenger, and their own take on Michael Sembello’s ‘She’s a Maniac’

The Bloody Beetroots are currently making their way around Europe with a number of slots on the continent and in the UK.



Ascii Disko - Black Summer
" Total Destruction is The Only Solution EP " - 2007

Daniel Holc, born in Hamburg (Germany), known in electro-music world as Ascii.Disko.
He played guitar in the band Slown and now plays keyboard and guitar with his other band of indie-rock Sci-Fi, Venus Vegas.
He is able to do new sounds that fit between electro and indie, and his albums sound between acid house and 80’s techno, similar to italo-disco.
Ascii.Disko(2003) and recently Alias (2006) are his two albums.

Saturday, 26 April 2008

Andrea Parker - Here's one i made Earlier ( 2007 )



"Here's One I Made Earlier is a fine collection of productions from Andrea Parker, recognised as one of the world's leading female electronic artists alongside Ellen Allien and Miss Kittin. The album showcases her keen ear for haunting melody, abstract rhythms, found sounds and subtle atmospheres. Predominantly recorded alongside her long time studio partner, David Morley, this collection of inspirational electronics unveils long deleted and rare lost gems from the vaults of such esteemed labels as K7!, R&S, Infonet and Quatermass. Known for her dark, experimental sets and sublime productions, Parker has pioneered sonic abstraction and electronic beats for some fifteen years now -- 'the grandma of electro!' An avid enthusiast of classic analog synthesizers and drum machines such as the Arp, Serge, Buchla, Fairlights and of course the 808, she chooses them over the current fashion for software. Early on she collaborated on some electronic adventures as Inky Blacknuss (with Alex Knight) producing timeless gems like 'Blacknuss.' Then formed 'Two Sandwiches Short Of A Lunchbox' with David Morley on Apollo/R&S and together they went on to produce the classic EP Angluar Art (Infonet) -- both of which can be heard on this new but old collection. In time she signed to Mo Wax, releasing the singles 'Melodius Thunk,' 'The Rocking Chair,' 'Ball Breaker,' and the full length album Kiss My Arp. Parker's productions have many emotions and sonic textures -- a fact not lost on the film and advertising fraternity who have used tracks from her output extensively. Their uses and users have been diverse, from a track on blockbuster movie Vanilla Sky where Tom Cruise is dancing to 'Too Good To Be Strange' and Patrick Moore's 'Sky At Night' to a documentary on NASA and a mugging crime re-enactment on Richard & Judy." forcedexposure

" Here's one i Made Earlier " - Touchin Bass 025 - 2007

Mp3 | Andrea Parker - After Dark
Mp3 | Andrea Parker - Angular Art


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Andrea Parker

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Thursday, 24 April 2008

Datassette - Datassette ( 2008 )



Chances are you've heard of Datassette though his alias of 'Datashat' and the BusinessFunk series, a compilation of 80s corporate motivational songs turned into mixtapes that were inspired and daft in equal measure. John Davis' interest in goofing around hasn't quite died out on this long player, but the hours and hours he's spent in his bedroom studio over the last two years have clearly tempered his taste for the peculiar with a degree of seriousness and the kind of anorak passion that can produce the very best electronic music. Which is what this record is.

Datassette is all the more impressive for the fact it's John's first album. He's worked up to it with home-pressed CDR EPs and a split EP with Plant 43 back in 2006, also on Ai. But for a first proper outing, it's no exaggeration to say the 27-year-old web designer has done extraordinarily well. A fair chunk of Datassette is a lopsided take on electronica with a robotic fun(k) element to it, built around jerky breaky/brokeny/electro beats with odd noises thrown in. It's the kind of music you could easily imagine machines on a car production line dancing to, especially given the effects include what sounds like a big metal ball sliding down a big metal slide and hitting a big metal wall ('Worms') or an 'urghh' that resembles a piston beatboxing ('Fallblattanzeige').

But then just when you think you know Datassette, he shows you this whole other side, or rather I should say sides. The most impressive thing about the album is that John takes on so many different styles and nails them all. There's an Andy Stott Datassette on 'Damage Report', a track which seems to sustain itself with the just the slightest of neon flicks, and a New Wave Datassette on 'Minus Fourteen', where he picks up the tempo and adds in a spine-tingling guitar melody. 'Remains' and 'Running Away' have a stunning trashscape appeal, the latter of which reeks of Orchestra of Bubbles in the way the synths and horns seem to ripple up and out of the track and give you an Oh-so-Ellen moment, only now it's Oh-so-John (Yes, I know, that doesn't sound half as good).

The album's two slower tracks, Pluck' and 'Melting Faces' are equally mesmerising. 'Pluck evolves like a spiders web of harp strings, whilst 'Melting Faces', the last track on the album, could be the closing credits from Blade Runner. John's only tribute to businessfunk comes in the form of 'Box' which rocks in a frenzied computer says 'ERROR!' kind of way. But don't worry, that's about as close as we get to oversized shoulder pads, bar charts and permed hair. The rest of Datassette explodes beyond such semi-ironic tomfoolery and instantly establishes Mr. Davis as a serious talent to watch. Daniel Bates - Residentadvisor

" Datassette " - Airecords - 2008

Mp3 | Datassette - Minus Fourteen
Mp3 | Datassette - Damage Report


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Datassette

Sunday, 20 April 2008

These New Puritans - beat pyramid [2008]



One of the key acts in the great 2008 hype frenzy, These New Puritans could hardly sound more 'now'. You can hear the influence of perennially hip new wave touchstones like The Fall and XTC in here, but this band's grasp on excitable, electronically reinvigorated rock music is bound to see them touted as 'this year's Klaxons' (along with any other indie band you could dance to). Deerhunter would also be a valid name to throw into the mix, particularly when you consider short vignette tracks like 'Doppelganger' breaking up the flow of acoustic four-to-the-floor rhythms. Don't let any of this fool you into thinking Beat Pyramid is derivative or standard-issue in any sense though. There's a real intelligence behind the album in terms of its writing, its instrumentation and the way it's all presented. The song titles alone should give some indication of how distinctly non-standard all this is, reading like a list of randomised, computer-generated text ('C. 16th ±', '£4' and '4' spring to mind immediately) and tending to flow like some shuffle-generated playlist based on what you'd imagine Thom Yorke's iPod to be filled up with. While the record is structurally very smart - very in keeping with the anti-album zeitgeist - there's a real intelligence behind this music in terms of its writing and instrumentation, from the impeccable, angular pop of 'Elvis' and 'Mkk3' to the jerky glitch textures of 'En Papier', it's all flat-out brilliant. An enormously impressive debut album this, and one that comes very highly recommended. - Boomkat



" Beat Pyramied " - Angular - 032 - 2008

Mp3 | These New Puritans - Numerology aka Numbers
Mp3 | These New Puritans - Infinity Ytinifni


Videos | These New Puritans - Elvis


Click here to watch the whole concert!



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These New Puritans

Monday, 14 April 2008

Gavin Bryars | Philip Jeck | Alter Ego - The Sinking of the Titanic



Gavin Bryars' 'The Sinking of the Titanic' is, and I say this with confidence, one of the finest pieces of music you could ever wish to own. Written in 1969 it has journeyed through the lands of modern classical, experimental and electronic music netting dedicated followers on its way, and each and every time I hear it I become more convinced of its genius. Bryars wrote the piece to mirror the last moments of the doomed voyage, when the Titanic sunk and famously the band played on. According to survivors the music being played was a rendition of 'Autumn', an Episcopal hymn which forms the basis of Bryars' composition. The notes and phrases from the hymn are worked in and out of the piece, sinking through the waters, effected by time, nostalgia and the cavernous reverberations of the ship itself with each scrape and hiss worked into Bryars' incredible vision. For this special performance of the piece we see Bryars (on double bass) alongside Italian ensemble Alter Ego (not to be confused with the German electronic duo of the same name) and experimental turntablist Philip Jeck, and the result is arguably its most stunning rendition to date. The most noticeable addition is Jeck, whose expertise and unique style seems to fit like the final piece of the puzzle as his crackles and motifs melt into the architecture of the recording as if they had always been there. This additional layer of nostalgia brought forth by these found sounds adds a significant sense of history , forcing the mind back into hazy film footage and decomposed photos, a perfect match for the subject matter. Also of note are Alter Ego, who surprised me with their stunning renditions of Philip Glass recently, and work comparable magic here on Bryars' composition, with their ensemble bringing in the sounds of bottles, tape recorders, laptops and percussion on top of more traditional instruments. The sounds are merged together effortlessly to form a fog of harmony and memory, perfectly melting the themes which Bryars intended his piece to convey in the first place. Really words can't do justice to 'The Sinking of the Titanic', like William Basinski's 'The Disintegration Loops' there is a timelessness, a patience and an ineffable beauty to this music that almost impossible to describe. Unique, flawless and totally essential music. Boomkat

Gavin Bryars - Double Bass
Philip Jeck - Turntables
Alter Ego - Strings, Brass, Wind, Percussion, Keyboard, Tape Recorder and sound design

" The Sinking of the Titanic " - Touch # Tone 34
Gavin Bryars/Philip Jeck/Alter Ego Download

Post credit :
soundweave

Sunday, 13 April 2008

Stereogum Presents - Enjoyed , Bjork's Tribute



After completing and launching Drive XV, our tribute to R.E.M.'s Automatic For The People, we gathered at 11th St Bar one night to figure out which album we should tackle next. OKX, our inaugural step into the compilation world, had been a no-brainer: 2007 was OK Computer's 10th Anniversary, and we wanted to honor the milestone. This time, though, when we started off thinking of possibilities based on release dates -- Drive XV was celebrating 15 years of Automatic after all -- nothing seemed quite right. (We've already discussed our decision not to go with the recently 10-year-old In The Aeroplane Over The Sea, for instance.)

After discarding our release-date almanac, someone suggested Björk. It was late, and we don't remember who said what, but it was a great idea. Debut, her first post-Sugarcubes album came out in 1993, which could count for a nice and even 15 years in 2008, but Post was the obvious choice: It's a stronger album top to bottom -- a culmination of her work to that point. It includes any number of iconic tracks and due to the richness and variety of Björk's self-described "spastic" palette, an infinite number of interpretive possibilities. Think, for example, of "It's Oh So Quiet," Björk's big-band cover of Betty Hutton's "Blow a Fuse," the almost industrial noise of "Army Of Me," the wispy, avant ambiance of "Cover Me," etc. When we spoke with Björk about her thoughts on Post, our choice seemed even more appropriate.


I listened to it when we did the surround mixes of it like two or three years ago [Note: Post was re-released in 2006 with surround sound mixes] and I have to say I was kinda surprised how the odd spastic thing of the album had actually aged well. I was very aware of it at the time that I needed to be musically promiscuous and have almost every song [a] different mood/style and so on. The picture on the cover is me on Piccadilly Circus (Times Square of London) too excited, too many things, Bright Lights Big City kinda thing, and me eager to consume. So my musical heart was scattered at the time and I wanted the album to show that.

We also asked the contributors for their thoughts on Post. Accordingly, each track has its own page with the artist's statement, as well as a dedicated comment section, so please click around.

Completing Enjoyed took a number of hands and plenty of elbow grease. We are deeply thankful to Björk for taking time out of her tour to answer our questions and offering commentary. Þakka þér kærlega, Björk! We'd also like to thank to Scott Hansen for his gorgeous album art, Phillip Klum for the absolutely amazing job mastering the project, the video team of Jon McMillan/Matt Neatock/Raphael Rodriguez/Shea Hess for shooting the band interviews, everyone at Sacks & Co., and Haukur S. Magnússon for help with our Icelandic. Finally, a major major thank you to all the bands for their participation -- folks juggled hectic tour and personal schedules and managed to get us amazing interpretations of Björk's originals. All is much appreciated.

As you may have noticed, this is our first compilation without Roman Numerals in the the title: We took the name from track "Enjoy." Of course, we also get the possible plays on "Post." We are bloggers, after all. Stereogum

download Here

Tracklist

Liars - "Army of Me"
Dirty Projectors - "Hyperballad"
High Places - "Modern Things"
Bell - "It's Oh So Quiet"
Pattern Is Movement - "Enjoy"
Evangelicals - "You've Been Flirting Again"
Xiu Xiu - "Isobel"
Mp3 | Final Fantasy & Ed Droste - "Possibly Maybe"
White Hinterland - "I Miss You"
El Guincho - "Cover Me"
Atlas Sound - "Headphones"
No Age - "It's Oh So Quiet" (Alternate Take)


Visit

Bjork
Stereogum

Minimal Abstract Soundscapes # 2


Pictures & Artwork by Dalata

Electronic | Experimental | Ambient | Abstract | Minimal

" Hope To See You Again " - chelonia mydas
Mp3 - Teuk Henri - Esperance

Most people know Teuk Henri from his work with Belgium's avant-popsters Sharko; connoisseurs remember him as a founding member of rock deconstructionists Rawfrucht or from his work as a sideman for Chacda, Grandpiano, Vinz... On his first solo cd, Teuk Henri makes his guitar gently weave sound tapestries of a melacholy not experienced since Harry Dean Stanton looked at Natasja Kinski through a one-way mirror in Wim Wender's "Paris, Texas".



" Manufactures " - minusn - 010
Mp3 - Irish - March

two new releases by the excellent minus n net label from japan, and i believe both artists are not japanese, at least i'm not sure if irish is. irish was part of a rock band named cap-d, but out of growing frustration to be part of that band, he started to make his own music. 'manufactures' was originally released as self-released cdr, but now is re-issued as re-mastered mp3 release. irish uses a computer with all the regular software (pure data, ableton live, cubase) as-well as a yamaha dx21, korg electribe em1 and sounds from his own and kitchen. irish main inspiration is the minimalism and mechanical sound of techno.



" We Are The Dreamers Of Dreams " - EAR027 - 2007
Mp3 - Encephala - I Just

Nate Zuckermans' dream project is a collaborative effort between he and several others who've shared and recorded their dreams. Nate manipulated the vocal recordings of the dreams, sometimes layering them in many colorful ways, added music and made them into songs. the album offers a variety of ever changing stories, perpetually engulfing the listener to extreme surreals and deep emotions, expressed both by the dreamers voices and Encephalas music. this is a truly original idea executed remarkably well.



" Le Fumeur de Ciel " - Type 006 - 2005
Mp3 | Julian Neto - VI (Featuring Keith Kenniff)

Parisian Julien Neto has been an active member of the music scene for some time with releases on various labels under various monikers, so it comes as a surprise then that this is his debut album. However, Neto has taken his time in producing this record, and it shows very clearly that this is not merely a random collection of tracks but a fully- realized work. Like a poem, each track is a verse, and part of a much larger piece. The literary connection does not stop here, Neto based part of the record on the poems of Keats finding a kindred spirit in his deep and moving romanticism. This effortless gravitas is explored cautiously on 'IV,' where sweeping strings and distant piano form the basis of an epic and moving track. tonevendor



" Linienbusse " - Towerblock 025 - 2005
Mp3 | Studio Pankow - Linienbusse

This intensity is ever-present on "Linienbusse", at times nodding towards their familiar fascination with beats and hazy strings, at others developing the session into an effervescent glow of minimalism and velvet ambience that transforms Conjoint's heady jazz fascination into something much more unconscious. on the incredible title track, for instance, this sumptuous reduction takes in a solitary piano that acts as a sparkling, reflective counterweight to the celluloid ambience and fuzzy transmissions that lie beneath. With a title that roughly translates as "regular busses", you get the feeling that somewhere outside this space life carried on at regular pace, but for the duration of these amazing pieces everything very gently slowed down until each single detail and intonation of life became perfectly clear, captured here for posterity. city centre offices



" Mestre fullstop " - CAM0101 - 2008
Mp3 | Nigel Samways - The Last Few Days

Mestre fullstop is 20 minutes of marvelously intricate movements; deep, murmuring field recordings, dischordant crackles and faint mechanical remnances lay naturally underneath bright, gazing wails and pads that trickle gently down on us, inviting us to venture into Nigel Samways' mysterious and blurry tones, memories and images. After such a winter, this is the perfect soundtrack to the slow and creeping growth and reanimation of the fauna.

Monday, 24 March 2008

Minimal Abstract Soundscapes # 1


Pictures & Artwork by Camille Rose Garcia

Ambient / Abstract / Electronic / IDM

" Light Years " - tube'112 - 2008
Mp3 | Lee Rosevere - Deathless

«The dazzling state before the magnanimous perspective of space is something that affects most people. The infinite, the fascinating void… the senses numbed by the impossibility to explain everything that surrounds us… these are the first images that ‘Light Years’ - a new release by Lee Rosevere , awake in our mind.» Pedro Nunes



" American Case Study " - tube'|106 - 2008
Mp3 | Norman Fairbanks - Specifically

'American Case Study' helps us to explore an unusual side of Norman's creations, namely the ambient/spoken word approach. 'Element One' through 'Element Five' gathers some speeches from whatever - including the late Allen Ginsberg - and serves them with some of Norman's trademark spacious beats and drones. Pedro Leitao



" Skuba " Ep - skm 011 - 2006
Mp3 | Daniel Maze - Something Green

A few days after the acceptable but finally forgettable "elementary ep", Daniel Maze is giving us :: Skuba, 5 ambient tracks for the electronic label, Standard klik music. Faithful to ambient spirit on construction, Maze developps interestings "granular" atmospheres ( blinded by the sun ) then confirms this interest on textures and coming rythmics drones with the major piece of the release "foodcourt". After a classic "needles", :: Skuba ends with two colored different tracks called "something", one blue and the other green, and as usual, primary color wins. thierry massard



" Musicamorosa " - Crónica 029 - 2007
Mp3 | The Beautiful Schizophonic - Music For Lonely People

Marcel Proust has been one of the main sources of inspiration to me in the last years. His ideas devoted to the affections of the human heart, his approach deeply rooted on the long literary French tradition in which love can only be lived in sadness, is something that goes much beyond pure aesthetic. So it came only natural that somehow I would try to convey this literary and philosophic interest with the sound aesthetic I pursue. Jorge Mantas



" For Waiting, For Chasing " - Mosz 010 - 2006
Mp3 | Pan American - From Here

Following on from the magnificent 'Quiet City' album for Kranky (to this day one of the biggest selling titles on Boomkat), Mark Nelson finally returns with a new album under the Pan American moniker - and it's another triumph of sublime understatement. "For Waiting, For Chasing" is underpinned by delicately caressed and manipulated Flugelhorns, Tibetan Singing Bowls and Chinese Cymbals, processed, weaved and loved into a throbbing mass of neon.



" Transmutation Primer " - SKM 023 - 2007
Mp3 | Parataxis - Atomos

Newly arrived in the U.S., a former UK/European native sets to work identifying the specific neural arrangements that give rise to ontic structure and implicate order, though use of tuned frequency stimulation and synaesthesic elicitation of an optimally stimulated ganzfeld state. dip down into the unconscious and intangible aspects of your enformed self...



" The Dead Texan " - KRANK 072 - 2004
Mp3 | The Dead Texan - The 6 Million Dollar Sandwich

The Dead Texan is a collaborative audio-visual release that contains a compact disc paired with a DVD containing seven video pieces designed to accompany the music on the album. Adam Wiltzie is a sound engineer and musician who has done live sound and recording work for numerous bands. He is best known as one half of the noctambulant drone duo Stars of the Lid. That group that has already collaborated with painter Jon McCafferty on one album, Per Aspera ad Astra, and plays with the stunning film accompaniment of Luke Savisky. This experience makes Wiltzie uniquely qualified to create videos for the music he makes under the name The Dead Texan.



" Small craft exercise caution " - one030 - 2007
Mp3 | Relative q - Man your Battle Stations

Just over three years ago, Relative Q (Paul Zyla) was the first solo artist at One, so it is very befitting for us to present his latest work as our milestone 30th release. We have been sitting on this release for quite some time now and are excited to finally bring it to fruition.

Composed during the majority of 2006, 'Small Craft Exercise Caution' is a heady, personal affair with moods seeming to play with optimisim and inspiration through, well, troubled waters. Paul has crafted a wide and lush sound combining the worlds of smokey lounge, electronica and etheral shoegaze with lively instrumentation, rhythmic interplay, driving synths, and a certain melodic finesse.